In details

1. Musical studies

1988 – 1997 — CNR de Grenoble: piano classes with Sandra Chamoux and Jean-François Cholé and harmony with François Luzignant
Gold Medal in piano, musical theory and chamber music

1998 – 2002 — CNSM de Paris: piano class with Michel Béroff
Other courses : analysis, harmony, counterpoint, improvisation
Master class with György Kurtág
Superior Formation Diploma in piano and chamber music with honors

2002 – 2004 — University of Arts of Berlin: piano class with Pascal Devoyon
Master class with Murray Perahia (salle Gaveau – Paris)

2015 – 2016 — Master classes in conducting and composing with Peter Eötvös in Budapest (Peter Eötvös Foundation, Budapest Music Center): work with the composers Helmut Lachenmann, György Kurtág and Peter Tornyai

2. International competitions prizes, awards

2002 — 1st prize of the international piano competition Chopin of Brest (France)

2003 — 1st prize of the international piano competition of San Remo Classico (Italy)

2004 — 1st prize of the international mélodrame competition Fibich of Prague (Czech Republic)

2004 — Special prize of the best accompanist at the Joseph-Suder-Liedwettbewerb of Nuremberg (Germany)

2016 — Donation by the Société Gavigniès (Netherlands) for his work on the opera Fin de partie de György Kurtág

3. Employment

2007 – 2009 — Rehearsal pianist at the Atelier Lyrique of Paris National Opera (France)

2010 – 2013 — Rehearsal pianist and musical assistant at the Teatro Real of Madrid (Spain)

2013 – 2014 — Kapellmeister at the Opera of Chemnitz (Germany)

2014 – 2018 — Contract with the Scala de Milan (Italy) as assistant to the composer György Kurtàg for the création of his new opera Fin de partie : responsible for the casting and musical preparation of the singers, part of the team for the edition of the orchestra and piano scores, musical assistant for the creation at La Scala in November 2018

4. Musical assistance

Teatro Real of Madrid 
Poppea e Nerone by Monteverdi , arr. Boesmans : Sylvain Cambreling, Klang Forum Wien 
Ainadamar by Golijov : Alejo Pérez, Symphony Orchestra of Madrid
Il Prigioniero / Suor Angelica : Ingo Metzmacher, Symphony Orchestra of Madrid
Wozzeck : Sylvain Cambreling, Symphony Orchestra of Madrid

Salzburg Festival 
Gawain by Birtwistle : Ingo Metzmacher, RSO Vienna
Die Eroberung von Mexico by Rihm : Ingo Metzmacher, RSO Vienna
Faust : Alejo Pérez, Philharmonic Orchestra of Vienna

Opera of Rome
Lulu : Alejo Pérez, Orchestra of the Opera of Rome

Ruhrtriennale
Pelléas et Mélisande : Sylvain Cambreling, Bochumer Symphoniker

Teatro alla Scala –  Milan
assistant of György Kurtág for Fin de partie (world premiere) : in charge of the casting and the musical preparation of the singers, musical assistent: Markus Stenz, Orchestra of the Teatro alla Scala – Milan

Opera of Amsterdam
Fin de partie by Kurtág : Markus Stenz, Radio Orchestra of Amsterdam

Gürzenich Orchester-Köln
Inscape by Hector Parra, François-Xavier Roth

Orchestra Les Siècles 
Mouvement by Lachenmann (work with the composer), François-Xavier Roth
Canticum Sacrum by Stravinsky, François-Xavier Roth

Pierre Boulez Ensemble
Eclat-Multiples by Boulez, François-Xavier Roth
Répons by Boulez, François-Xavier Roth
Kammerkonzert, Violin concerto by Ligeti, François-Xavier Roth

5. Musical direction

Teatro Real of Madrid, main hall
Transfigured Night. School orchestra of the Symphony Orchestra of Madrid
El hombre que se llamaba Amadé (Mozart program). Symphony Orchestra of Madrid

Opera of Chemnitz. Robert-Schumann-Philharmonie
Der Mond by Carl Orff
Sleeping Beauty of Tchaikovsky
Symphonic Concert: Mozart, Dvorak, Tchaikovsky

Budapest Music Center
Sprechgesang by Peter Tornyai (world premiere), Ensemble Schloss Engers
3 Mouvements pour ensemble by Arnaud Arbet (world premiere of the two first movements), THReNSeMBLe

Opera of Cologne. Gürzenich Orchester-Köln
Die Eroberung von Mexico by Rihm
Die Soldaten by Zimmermann : co-conductor with François-Xavier Roth

Mare Nostrum by Kagel
La Scuola de’ Gelosi by Salieri
Carmen by Bizet

Scala de Milan, Arturo Toscanini Hall – Festival Milano Musica
Concert Kurtág, Boulez, Ravel, Stravinsky with contralto Hilary Summers. Ensemble Bernasconi

Philharmonie of Cologne. Gürzenich Orchester Köln
clamitationes colonienses for 11 brass instruments and 2 percussionists of Philipp Maintz (world creation)

HangarBicocca, Milan – Festival Milano Musica
FLUXO – Mare Nostrum by Kagel. Ensemble Bernasconi

Le Seuil Musical (Founder and musical director)
Atelier de la Main d’Or – Paris : conference « Schönberg and the birth of atonal music »
l’Anecdote – Autrans : 2d string quartet op. 10 by Schönberg 
Toyo Global Hall – Berlin, Atelier de la Main d’Or – Paris : Pierrot Lunaire by Schönberg

6. Repertoire

Orchestra : from Bach to Boulez, with emphasis on the period 1900-1950
Opera : 80 works from Monteverdi to Kurtág

7. Compositions (Vogelreiter Musikverlag – Munich)

Trois Offrandes for piano 4 hands op. 1 (2015). Duration 18’
     Creation : November 2015 at the Atelier de la Main d’ Or – Paris with Kyoko Nojima and Arnaud Arbet

Trois Mouvements for ensemble op. 2 (2016). Duration 8’
     Creation (2 first movements) : Octobre 2016 at the Budapest Music Center with THReNSeMBLe

Cinq Fables de la Fontaine. Divertissement pour soprano, baryton et orchestre op. 3 (2017). Duration 15’

Poemas de Teresa de Ávila for soprano, flute, harp and guitar op. 4 (2018). Duration 12’

Trio for oboe, bassoon and piano op. 5 (2019). Duration 15′.
     Creation : February 2020 at the Accademia di Musica di Pinerolo with the Ensemble Seta

La Corbeille de fruits, 5 melodies for bass and piano (Tagore) op. 6 (2019). Orchestration 2021 Duration 12′

Toccata for piano op. 7 (2020). Duration 4’30’’

String quartet op. 8 (2021). Duration 12′

8. Spoken languages

French, English, German, Spanish, some Italian and some Japanese